It’s halfway through 2013 so I thought it time to give a 0.5 Top Five. I don’t see nearly enough movies, but that does have the advantage of mostly seeing what I like (although there are exceptions). 2013 has been a varied year so far, with the normal glut of award-seekers out in January and February, some lingering into March, followed by the initial blockbusters in April, May and June. Lately some dreck has started to filter through my carefully constructed quality net (yes, After Earth, I mean you), but by and large, I’ve had good cinematic times thus far.
From the latest offerings, I’ve compiled a top five, which I now present in ascending order.
Danny Boyle’s smooth, sexy, psychological neo-noir is a vibrant and visceral thriller that fuses both internal and external conflicts in surprising and exciting ways. For all his cultural success with Oscars and Olympics, Boyle never loses his sense of fun, and Trance is fun on all levels, even when it’s being nasty. Trance may be the year’s slickest film, drawing great parallels between movies and the mind.
4. Man of Steel
Many have been disappointed with Zack Snyder’s reboot of Superman, but I was very impressed by it. I’ll post a full review in the future, but for now, it is swell, in more ways than one.
3. The Place Beyond the Pines
Derek Cianfrance’s haunting follow-up to Blue Valentine combines intimate style with epic scale. I was surprised by the three consecutive stories when I would expect a simultaneous, multi-stranded narrative that intercuts between its strands, but I like to be surprised in the cinema if it works, and in this case it does. The almost circular narrative of fathers’ sins being revisited on their sons justifies the epic weight of the film, and the intimate style ensures that the viewer is there every step of the way.
Steven Spielberg’s finest film since Munich, Lincoln is an enthralling political drama. Daniel Day-Lewis’ monumental performance as Abraham Lincoln received the plaudits and awards, but props are due to the whole cast, including Sally Field, Joseph Gordon-Levitt, Jared Harris and especially Tommy Lee Jones as the firebrand Thaddeus Stevens. Probably the year’s most compelling drama of words.
1. Zero Dark Thirty
Kathryn Bigelow’s film about the hunt for Osama Bin Laden is one of the tensest cinema experiences I have ever had. Despite knowing the ending, I was gripped from start to finish and, for the final hour, had every muscle clenched (had I stood, the seat would have come with me). Naysayers who accuse it of justifying torture are simply wrong, because the film displays no link between information gathered under torture and the eventual success of the mission. Furthermore, this success is not presented as any sort of triumph, as the film’s conclusion expresses a sombre hollowness. Not only is ZDT a very fine thriller, but it is a grim and sobering depiction of obsession and a bleak world bereft of satisfaction. Nothing cheerful, but so far, film of the year.