The third film in my countdown of top five transportive sci-fi movies gives the most overt attention to transporting the viewer (although it is not necessarily the most successful). Avatar creates a tangible, tactile environment that immerses and surrounds the viewer, an environment that took me far beyond the cinema in which I first saw it and continues to do so across repeat viewings. It is a literally awesome film in the sense that it fills me with awe with its extraordinarily rich and compelling vision of an alien planet and the experience of exploring it along with the protagonist Jake Sully (Sam Worthington). Nor is this experience of Avatar simply down to the 3D, as I find the film immersive and absorbing on 2D home viewings as well. This effect is partially due to the remarkable production design that details the geography, flora and fauna of Pandora, as well as the film’s vibrant visual style that thrusts the viewer through these gorgeous but also dangerous environments. James Cameron has always been an intensely visceral director, from the relentless pursuit of The Terminator to the collapsing environment of Titanic. In Avatar, the director’s visceral and absorbing style takes the viewer into a world that is both alien and familiar, showing us what we know in a new light and creating greater appreciation of our surroundings beyond the filmic world itself.
Home » Uncategorized » To Infinity, and Beyond: Science Fiction Countdown – 3
To Infinity, and Beyond: Science Fiction Countdown – 3
Recent Posts
Archives
- January 2023
- April 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- May 2012
- April 2012
- February 2012
- January 2012
- December 2011
Categories
Tags: #Iseeyou, 3d, Alonzo Harris, avatar, CCH Pounder, Days of Fear and Wonder, direhorse, environmentalism, Eywa, Giovanni Ribisi, I see you, ikran, jake sully, james cameron, James Horner, Jon Landau, Mauro Fiore, Michelle Rodriguez, Neytiri, Pandora, Sam Worthington, sci-fi films, science fiction, Sigourney Weaver, Stephen Lang, thanotor, The Terminator, titanic, to infinity and beyond, toruk, Wes Studi, Zoe Saldana
By vincentmgaine in Uncategorized on .Latest Posts
-
Review of 2022: Top Twelve
It’s been a bit of a journey over the last few days, so thank you for sticking it out. Here, at long last, are my…
-
Review of 2022: Stinkers of the Year
My last post was a bit of a rant about the overwriting of contemporary blockbusters. Therefore, it’s worth saying that some of those blockbusters, as…
-
Review of 2022: There’s Too Much Plot! Overwritten Blockbusters
My last post drew attention to 2022 being a strong year for female cinema. On a less positive slant, blockbusters were afflicted with a bad…
-
Review of 2022: Awards in the Year of Women
In my previous post, I summarised the quality of films in 2022 with particular attention to horror, and also highlighted the strong output from Scandinavia.…
[…] very rare group. The only other sci-fi films to be nominated for Best Picture are Star Wars (1977), Avatar (2009), Inception (2010) and Gravity (2013), so to have two such films nominated in one year is […]