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Cinderella

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A well-known story poses the challenge of how to tell it in a way that is fresh and engaging. The further challenge of a fairy tale is how to make it relevant. Director Kenneth Branagh and screenwriter Chris Weitz complete these challenges admirably with Cinderella, an unapologetically traditional and gloriously romantic reinvention of the classic tale that pays homage to Disney’s animated feature while also creating an identity all of its own. The essential elements of the story are present: the cruel stepmother and stepsisters, the fairy godmother and pumpkin coach, the ball and the glass slippers, as are the more specifically Disney elements including Cinderella’s (Lily James) animal friends and the famous “Bibbity-bobbity-boo”, brought to charming life by the Fairy Godmother (Helena Bonham-Carter). Branagh handles these elements brilliantly, especially the magical transformation scene and the glorious ball sequence. Where this live action version really shines though, is in its expansion of the story. Cinderella’s stepsisters Anastasia (Holliday Grainger) and Drisella (Sophie McShera) are not ugly but vain, stupid and spiteful, while her stepmother (Cate Blanchett) is beautifully nuanced – not simply cruel but bitter and more than a little desperate. Similarly, Prince Kit (Richard Madden) and his royal contemporaries are far more than the ciphers one might expect, concerned with tensions between tradition and progressiveness as well as their own political agendas. The Prince and Cinderella share far more than simply seeing each other at the ball, drawing closer as they discover they have a surprising amount in common. Meanwhile, the Grand Duke (Stellan Skarsgård) emerges as more of a villain than the Stepmother, who is almost as much a victim as Cinderella. Nor is Cinderella passive and simpering, guided as she is by the principles of courage and kindness. Even at her lowest ebb, she offers forgiveness and generosity at every turn and, similarly, the film’s sweeping joy is its own form of magic, enrapturing the viewer with gorgeous production design, ravishing costumes, a splendid score and fluid editing and cinematography. Only the stoniest of hearts could fail to be bewitched by Cinderella, a reminder of the romance and hope that fairy tales and movies alike can inspire.

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3 Comments

  1. […] a single physical actor playing Mowgli (Neel Sethi). Much like 2015’s live action version of Cinderella, 2016’s The Jungle Book takes the basic premise – boy raised by wolves in jungle must […]

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