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The Hunger Games: Mockingjay Part 2




It begins quietly and with difficulty speaking, a problem that persists as the narrative progresses. Throughout The Hunger Games series, protagonist Katniss Everdeen (Jennifer Lawrence) has struggled to be heard or acknowledged as more than a pawn or puppet. This continued interest in the voiceless and powerless has been a consistent element of the series’ grim dystopia. Mockingjay Part 2 continues this conceit as Katniss repeatedly tries to assert her own identity and agency, yet is continually co-opted and coerced by President Alma Coin (Julianne Moore) and Plutarch Heavensbee (Philip Seymour Hoffman, in his final role). Katniss’ struggle allows the viewer to appreciate revolution and combat from a ground level, as director Francis Lawrence stages many gripping and even shocking set pieces, yet never loses sight of the individual journey. Attention is given to other characters such as Peeta Malark (Josh Hutcherson), Gale Hawthorne (Liam Hemsworth) and Finnick Odair (Sam Claflin) to allow other views and responses, while Panem in the grip of war is presented consistently and convincingly by production designer Philip Messina and DOP Jo Willems. Where many an action franchise presents violence as redemptive or at least cathartic, Mockingjay Part 2 suggests that violence may not be an answer. The coda feels like a partial cop out and is not entirely convincing, as the viewer may be left with a sense of disquiet and non-completion. But that may well be the point – whether the Games end or not, freedom and agency remain circumscribed. In daring to present this lack of resolution, The Hunger Games stands out from many of its contemporaries not only in its female-centred narrative, but also its willingness to suggest that courage, determination and compassion may not ultimately lead to a happy ending.


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  1. […] The Hunger Games: Mockingjay Part 2 […]

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