The day before the Oscars, I saw the last of the Best Picture nominees, Barry Jenkins’ Moonlight, a haunting and soulful portrayal of a man coming to grips with his sexuality and identity. Nominated for eight awards, including Best Picture and Directing, Adapted Screenplay, Supporting Actor and Supporting Actress, Moonlight has been described as the alternative to the likely Best Picture winner, La La Land. It is easy to see why and, while I enjoyed La La Land, I find Moonlight a more impressive piece of work overall. This is because Jenkins utilises a wide variety of cinematic elements to deliver a film that operates on a number of levels, rather than La La Land’s straightforward feelgood charm. Moonlight’s aesthetic varies from long takes, such as the opening sequence that is included in a single roving shot, to handheld shaky-cam footage and swift cuts as well as point of view subjective shots during conversation scenes. The array of performances in the film range from the cool yet comforting Juan (Mahershala Ali) to the grandstanding of Naomie Harris as drug-addicted mother Paula to the subtlety of Janelle Monáe as Juan’s girlfriend Teresa who takes pity on Paula’s unfortunate son, Chiron, the central character of the film. Played by three actors over the course of three chapters of his life – Alex Hibbert as the young Little, Ashton Sanders as teenager Chiron and Trevante Rhodes as adult Black – Chiron’s life is presented in subtle but never unclear terms. His dismay over his mother’s addiction and his attachment to Juan and Teresa is understandable, while his troubled relationship with schoolmate Kevin (Jharrel Jerome) is at times heartbreaking, while the sequences of high school bullying may ring true for many a viewer. When necessary, Jenkins keeps his camera still while the characters express themselves through halting dialogue and nominal body language, minimalist communication steeped in the cultural background that the film brings to such vivid life. Sex is underplayed in the film and yet sexuality, both nascent and repressed, imbues much of the cinematic texture, at all times handled with the utmost delicacy and restraint. Whether it picks up awards or not, Moonlight deserves to be remembered as an extraordinary film, a beautiful and exquisitely balanced exploration of identity, sexuality and belonging.