The final film in my list of ten significant movies is by far the most recent, released less than three years before this post. It is also the only animated movie on this list, and perhaps the only one that could be described as a comedy (it is certainly the funniest). It was my favourite film of 2015, and I include it because it had a therapeutic effect on me. When I saw this film, I was suffering from depression, and while now improved this is not a condition that goes away. Despite the negativity I often felt, I had a tendency not only to put a brave face on it, which a great many people do, but also to deny to myself that there was a problem, because I had the notion that there was no need, no justification, to feel sad. Then I saw Inside Out, which made the (to me) quite radical and astonishing suggestion that it is actually alright to be unhappy and that sometimes sadness is healthy and indeed essential. For me, this recognition was extraordinarily profound, and reduced me to a tearful wreck in the cinema, to such an extent that I purposefully constricted my throat so that my sobs would not disturb other patrons. For comparison, I had a similar experience the last time I watched E.T.: The Extra-Terrestrial. I have since returned to Inside Out many times, and it always makes me cry in the best possible way.
Beyond my personal attachment to Inside Out, it is also a magnificent film. The world of Riley’s mind is brilliantly realised with dazzling detail and witty invention, drawing from established psychology that is given superb animated form. The central characters are both archetypal and specific, working as representatives and as individuals. The lessons learned by Joy are valuable for anyone, the lack of appreciation for Sadness likely to be familiar to many, while the roles of Anger, Disgust and Fear are as relatable as the emotions themselves. The central conceit of the components of personality is complex yet understandable, and the tricky workings of the mind from imaginary friends to the Memory Dump to endlessly repeating jingles (TripleDent Gum anybody?) make for endlessly inventive adventures that swing from the hilarious to the breathtaking to the heartbreaking. Who would have predicted that a tale of the little voices inside your head would emerge as one of the most accomplished, enthralling and moving films of recent years? I had high hopes thanks to Pixar’s back catalogue, but Inside Out surpassed all of these and might indeed be the studio’s most impressive work to date. It remains my go to film when the world turns horrible, because as I often need reminding, Sadness is good to have around.