Ocean’s 8 is a film of both familiarity and absence. The opening sequence features an Ocean (Debbie, played by Sandra Bullock) facing a parole board, much as this franchise started in 2001. Upon her release, Debbie reunites with a former partner in crime, Lou (Cate Blanchett), and they subsequently recruit a motley crew of experts in nefarious activities and plan an audacious heist. Along the way there are surprises and twists, cross-cutting both spatial and temporal, an upbeat soundtrack and a slick portrait of opulence and wealth. The significant absences are an immersive sense of place and Steven Soderbergh’s ephemeral touch. Director Gary Ross gives New York a functional rendering that pales in comparison to Soderbergh’s almost otherworldly depiction of Las Vegas, and while Ross is competent enough he seems to struggle with innovative style. Fortunately, a game cast add as much sparkle as the object of the heist. Bullock and Blanchette are a superb double act, making this viewer hope they work together again with richer (no pun intended) material. Excellent support comes from Sarah Paulson, Mindy Kaling, Rhianna, Helena Bonham-Carter and Awkwafina as other members of the crew, but arguably (and perhaps ironically) Anne Hathaway steals the show as she chews her way through all the scenery around her. Narratively and stylistically, Ocean’s 8 lacks substance, but its cast provides a glittering shine.
[…] this stalwart from a long time ago in a galaxy far, far away. Similar rejuvenation occurred with Ocean’s 8. Rather than being a gimmicky cash-in, this gender-inverted caper offered a shine all of its […]