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Avengers: Endgame

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Avengers: Endgame is epic, grand, enthralling entertainment. It is a film painted on the grandest of canvasses, yet one that maintains a fine eye for detail. It combines planetary scale spectacle with intimate moments, mixes tragedy with comedy and provides a fitting climax to a staggering saga. Along the way, directors Joe and Anthony Russo perform the remarkable feat of paying fan service that also serves the story. Fan service is a much-maligned practice: seen as kowtowing to audiences, it smacks of not respecting the story and compromising the artistic vision. But is the purpose of the story and artistic vision, at least in the case of popular entertainment, not to serve the audience? The difficulty of paying fan service is that it is a shot in the dark, since it is hard to know what audiences actually want and attempting to predict this can end in an incoherent product. Arguably, the Marvel Cinematic Universe has been performing this balancing act over the past eleven years and twenty-two films, nodding to comic book and movie fans along the way. For the most part, it has been successful, with a steady feed that develops the franchise into greater complexity, yet without becoming too clever and convoluted for its own good.

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With Endgame, the Russos marshal these potentially disparate elements, including a mass of familiar characters, a multitude of storylines that intersect, loop back, replay and turn in surprising directions, and a variety of tones. The managing of tone is especially impressive, as Endgame follows on from the tragic finale of Infinity War, one of the boldest ever conclusions of a blockbuster. The opening portion of the film depicts our surviving heroes – including Steve Rogers (Chris Evans), Natasha Romanoff (Scarlett Johansson) and Thor (Chris Hemsworth) – living with the trauma of their devastating losses, each of them dealing with their particular trauma in a different way. From this melancholic position, a quest emerges possible redemption, the film echoing mythic quest narratives like The Lord of the Rings, before moving into multiple parallel narrative strands, and creative and at times overwhelming set pieces.

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No emotion is left untapped in this supreme super-powered saga. Laughs, tears, thrills, spills, affection, boo hiss villainy, punch the air moments of sheer joy – all are here in abundance. It is especially impressive that there are narrative elements that become more problematic the more you think about them, but during the film they are of little consequence because of the viewer’s emotional engagement. Those who have invested in the Marvel Cinematic Universe will find themselves amply rewarded, and those with a passing interest are still likely to find much to enthrall them. While there is more of the MCU to come, Endgame serves as a fitting finale to the previous eleven years, and one of the finest examples of its genre to date.

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