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The romantic comedy is a much maligned genre, continually treated with disdain and a lack of respect, given the derogatory term “chick flick,” as if films “for women” are somehow other and lesser than “regular people” (i.e. men). This is often unwarranted, as the rom-com provides great opportunities for comedic scenarios and engaging characters. Trainwreck, directed by Judd Apatow and written by star Amy Schumer, demonstrates this potential, as Schumer and co-star Bill Hader are very funny as well as being a convincingly adorable couple whose path does not run smooth. Furthermore, while the film follows a conventional plot of troubled romance, it does so with verve and brio, delivering comedic and heartfelt moments in equal measure. Much of Trainwreck’s success comes from presenting the gross-out humour that Apatow excels at from a woman’s perspective. Much like Bridesmaids, Trainwreck is not afraid of bodily function gags that are as nauseating as they are hilarious, nor does it shy away from sex jokes. Again like Bridesmaids (but unlike many other sex comedies), these jokes are from a woman’s perspective, Schumer’s script explicitly exploring the humour of sexuality from a point of view seen all too rarely in mainstream cinema. In so doing, it is reminiscent of another recent comedy, Spy, as Trainwreck demonstrates what really shouldn’t be unusual or striking – films focused on women are not just for women, they are about people and all people can enjoy them.