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Ten Films for Ten Days – Day Five

titanic-cover-photo-960x540You may want to get your knives out, this one’s a doozy. My fifth highly significant movie, and indeed second favourite film of all time, is Titanic, one that I have spent twenty years arguing about and defending. I’ve probably heard your criticism, but if anyone’s got a new one, I’d like to encounter it, even if only for the amusement value.

Despite the vitriol the film receives, my love for Titanic is not based on being contrary, although it is multi-fold. From the perspective of cinematic craft, the film is superb in its production design that creates palpable and tactile environments in which to house the drama. The practical and visual effects merge beautifully to shift the viewer between past and present, and in doing so manifest a significant conceit of the film: the act of telling history. Titanic is not a true story nor does it purport to be, though it places its fictional tale within recorded events. It is, rather, a tale of telling and a drama of recording. The narrating figure of Rose who contradicts ‘official’ versions, the constant visual emphasis on image recording including film, portraits and photographs as well as memory, the array of images presented and re-presented – all contribute to a remarkable meta-cinematic investigation into the creation of narratives. This is one of Titanic’s most fascinating aspects, easily overlooked by simplistic judgements related to ‘accuracy’ or motivated by pompous self-righteousness.

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Furthermore, on a straightforward emotional level, Titanic never fails to move and enchant me. I saw it twice on its original theatrical release, various times on video and DVD, and for its 3D re-release. The 3D didn’t add much, but the IMAX certainly did. I’m a hopeless romantic and despite knowing how it ends, the emotional voyage (pun intended) of the film ever fails to transport me. Furthermore, it once again demonstrates James Cameron’s extraordinary skill for sustained set pieces, since virtually half the film is a prolonged action sequence. I always feel myself right there on the ship, alongside Jack, Rose and the other passengers, my heart in my mouth and feeling rather cold and wet. Plus I always tear up at the end when I get my heart ripped out. One criticism of Titanic that I understand, although I do not share it, is that the characters, especially Jack, are thin and offer little to engage with. For me, this is key to my enjoyment of the film, a point I will return to in a few days. This reason I engage with films the way I do is closely linked with Titanic, which is why it remains of great importance to me after more than twenty years.

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Ten Films for Ten Days – Day Four

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Almost inevitably, listing ten important films will include one’s favourite, so anyone familiar with me or this blog will have known this was coming. It is probably the most significant film I ever saw, because it was literally life-changing although I did not know it at the time. When I first saw Heat in early 1996, it essentially x-rayed me. As the credits rolled, I felt what can best be described as a wave of energy complete its journey through my body, leaving me profoundly affected. To all intents and purposes, it was a transcendent experience. As a direct result of seeing Heat, I gained a new appreciation of what film is and what film can do, started studying it seriously and, after a few years, decided I wanted to be a film doctor. Heat drew me to Michael Mann and he was the subject of my PhD and subsequent monograph. While my interests have broadened since then, Mann in general and Heat in particular remain of great importance to me. 

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Why do I love Heat so much? Several reasons. Firstly, it works on every level – plot, character, performance, theme, setting, production design, editing, cinematography, sound, music, direction, location – all are harmonised with utter perfection. Secondly, every time I watch it I find something new, whether it is noticing a lingering shot in a room left empty, spotting a bottle on a table, even identifying a stunt performer. Thirdly, it works on multiple levels and therefore I can watch it as a crystalline piece of cinematic craftwork, or as a gripping crime story, a sociological examination of post-industrial America, a modern urban tragedy, a philosophical investigation into hyperbolic masculinity, and the film rewards all these readings and more. If that’s not reason enough to love a film, I don’t know what is. 

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90th Oscar Predictions Part Seven: Effective Production, Productive Effects

Best-Production-Design

Production Design

Nominated twice? Honestly, Academy, couldn’t you spread it out a bit? Then again, the production design of Beauty and the Beast and Darkest Hour are pretty impressive, so fair enough for Sarah Greenwood and Katie Spencer. That said, I suspect AMPAS will reward the remarkable designs of D. Austerberry, Jeffrey A. Melvin and Shane Vieau for The Shape of Water, which combines the historical with the fantastic, the whimsical with the serious. Personally, I preferred the retro-futurism of Blade Runner 2049, but I’d be surprised if this award does not go to The Shape of Water.

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Beauty and the Beast, Sarah Greenwood; Katie Spencer


Blade Runner 2049, Dennis Gassner, Alessandra Querzola
(preferred winner)

Darkest Hour, Sarah Greenwood, Katie Spencer


Dunkirk, Nathan Crowley, Gary Fettis


The Shape of Water, Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau (predicted winner)

Best-Visual-Effects

Visual Effects

Typically, this award is a bone thrown to the mainstream blockbusters. It’s not a constant, as sometimes such films attract other awards as well, and the line between commercial and award film is sometimes blurred. Of these nominees, however, it is notable that three of them appear nowhere else in the awards categories. From a visual effects perspective, they are all very impressive, from the far reaches of space and intriguing alien worlds in Guardians of the Galaxy Vol. 2 and Star Wars: The Last Jedi to the (very different) dystopias of Blade Runner 2049 and War for the Planet of the Apes to the monster mashes of Kong: Skull Island. I loved all these films, not least for their astonishing visuals, and it’s a hard category to pick. I suspect that on the day, the award will go to Blade Runner 2049, but for me, I’d like to see the remarkable performance capture work of War for the Planet of the Apes.

Blade Runner 2049, John Nelson, Paul Lambert, Richard R. Hoover, Gerd Nefzer (predicted winner)

Guardians of the Galaxy Vol. 2, Christopher Townsend, Guy Williams, Jonathan Fawkner, Dan Sudick

Kong: Skull Island, Stephen Rosenbaum, Jeff White, Scott Benza, Mike Meinardus

Star Wars: The Last Jedi, Ben Morris, Mike Mulholland, Chris Corbould, Neal Scanlan

War for the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist (preferred winner)

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89th Annual Academy Awards – Final Predictions

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With the Academy Awards now hours away, it’s time for final predictions. I’ve given my detailed views on some of the categories already, but now it’s time for the full list, including what I think will win, and what I would vote for were I a member of AMPAS (none of this ‘should win’ nonsense on my blog, thank you!).

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BEST PICTURE

Predicted winner: La La Land

Preferred winner: Arrival

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DIRECTING

  • Damien Chazelle, La La Land
  • Mel Gibson, Hacksaw Ridge
  • Barry Jenkins, Moonlight
  • Kenneth Lonergan, Manchester by the Sea
  • Denis Villeneuve, Arrival

Predicted winner: Damien Chazelle

Preferred winner: Denis Villeneuve

With all its plaudits and despite its naysayers, La La Land looks set to pick up the big awards. I enjoyed the film fine, but do feel that others, including Manchester by the Sea and Hidden Figures, and especially Arrival, warrant as much if not more attention. So while I see La La Land dancing its way to Best Picture and Directing, my heart belongs to Arrival.

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ACTOR IN A LEADING ROLE

  • Casey Affleck, Manchester by the Sea
  • Andrew Garfield, Hacksaw Ridge
  • Ryan Gosling, La La Land
  • Viggo Mortensen, Captain Fantastic
  • Denzel Washington, Fences

Predicted winner: Casey Affleck, Manchester by the Sea

Preferred winner: Casey Affleck, Manchester by the Sea

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ACTOR IN A SUPPORTING ROLE

  • Mahershala Ali, Moonlight
  • Jeff Bridges, Hell or High Water
  • Lucas Hedges, Manchester by the Sea
  • Dev Patel, Lion
  • Michael Shannon, Nocturnal Animals

Predicted winner: Mahershala Ali, Moonlight

Preferred winner:  Michael Shannon, Nocturnal Animals

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ACTRESS IN A LEADING ROLE

  • Isabelle Huppert, Elle
  • Ruth Negga, Loving
  • Natalie Portman, Jackie
  • Emma Stone, La La Land
  • Meryl Streep, Florence Foster Jenkins

Predicted winner: Emma Stone, La La Land

Preferred winner: Emma Stone, La La Land (only one I’ve seen!)

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ACTRESS IN A SUPPORTING ROLE

  • Viola Davis, Fences
  • Naomie Harris, Moonlight
  • Nicole Kidman, Lion
  • Octavia Spencer, Hidden Figures
  • Michelle Williams, Manchester by the Sea

Predicted winner: Viola Davis, Fences

Preferred winner: Viola Davis, Fences

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All the acting nominees I’ve seen were impressive, and I’d be happy with most of them winning. But it would make me very happy if Nocturnal Animals could pick up something.

WRITING (ADAPTED SCREENPLAY)

  • Arrival
  • Fences
  • Hidden Figures
  • Lion
  • Moonlight

Predicted winner: Moonlight

Preferred winner: Arrival

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WRITING (ORIGINAL SCREENPLAY)

  • Hell or High Water
  • La La Land
  • The Lobster
  • Manchester by the Sea
  • 20th Century Women

Predicted winner: Manchester by the Sea

Preferred winner: Hell or High Water

Tricky ones, but I think I’ve said my piece.

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CINEMATOGRAPHY

  • Arrival
  • La La Land
  • Lion
  • Moonlight
  • Silence

Predicted winner: La La Land

Preferred winner: Arrival

It is always tough to determine if this award will follow patterns, or rely solely on the skill of the Director of Photography nominated. In this case, much as I love Arrival and would like it to win, I anticipate the long takes and crane shots on location in La La Land will shimmy the film to another award.

COSTUME DESIGN

  • Allied
  • Fantastic Beasts and Where to Find Them
  • Florence Foster Jenkins
  • Jackie
  • La La Land

Predicted winner: Jackie

Preferred winner: Jackie

This award typically goes to period films, for good reason, and all but one of these nominees is exactly that. For La La Land to win here would be a bit odd, colourful as the costumes in that film are. After its victories at BAFTA, the Awards Circuit Community Awards and the Broadcast Film Critics Association Awards, Jackie seems like a safe bet here.

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FILM EDITING

  • Arrival
  • Hacksaw Ridge
  • Hell or High Water
  • La La Land
  • Moonlight

Predicted winner: Arrival

Preferred winner: Arrival

This is an interesting one, as Hacksaw Ridge won the BAFTA but Arrival the Eddie (from the American Cinema Editors). I loved Arrival and found Hacksaw Ridge pretty good, and the potential overlap between the various institutions means this could go either way. But maybe Arrival will be this year’s Mad Max: Fury Road, picking up various post-production awards if none of the ‘major awards’. For that reason, I would like to see Arrival walk away with this award, and I believe it will.

MAKEUP AND HAIRSTYLING

Predicted winner: Star Trek Beyond

Preferred winner: Suicide Squad

I know nothing about A Man Called Ove, and the sheer range of weird and wonderful make up designs in Star Trek Beyond make it a likely winner. That said, I would like Suicide Squad to win, because I think the negativity this film received was excessive and it would greatly amuse me if the naysayers have to admit to the existence of ‘the Oscar-winning Suicide Squad’.

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MUSIC (ORIGINAL SCORE)

  • Jackie
  • La La Land
  • Lion
  • Moonlight
  • Passengers

Predicted winner: La La Land

Preferred winner: La La Land

MUSIC (ORIGINAL SONG)

  • ‘Audition (The Fools Who Dream),’ La La Land
  • ‘Can’t Stop the Feeling,’ Trolls
  • ‘City of Stars,’ La La Land
  • ‘The Empty Chair,’ Jim: The James Foley Story
  • ‘How Far I’ll Go, ‘ Moana

Predicted winner: ‘Audition (The Fools Who Dream),’ La La Land

Preferred winner: ‘Audition (The Fools Who Dream),’ La La Land

As a musical, it would be rather odd if La La Land did not win in these two categories. While I’m not the biggest fan of La La Land, I did find the solo ‘Audition’ to be very stirring (being one of those fools myself), and I would be happy to see that pick up an award.

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PRODUCTION DESIGN

  • Arrival
  • Fantastic Beasts and Where to Find Them
  • Hail, Caesar!
  • La La Land
  • Passengers

Predicted winner: Fantastic Beasts and Where to Find Them

Preferred winner: Arrival

An interesting collection here, with two science fiction films, one contemporary (and very colourful) musical, along with two period films, one which features fantasy elements and the other, like the musical, is about Hollywood. Due to its BAFTA victory, I see this going to Fantastic Beasts and Where to Find Them, although the nostalgia and self-love of La La Land and Hail Caesar! might bring them success. For me, the production design of Arrival was a key element to its eerie alienness, and something I would like to see rewarded.

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SOUND EDITING

  • Arrival
  • Deepwater Horizon
  • Hacksaw Ridge
  • La La Land
  • Sully

Predicted winner: Arrival

Preferred winner: Arrival

Back in 2013, there was a tie for this award between Skyfall and Zero Dark Thirty. Both were favourite films of mine, and Arrival was my top film of last year. So maybe the pattern will continue. I would also like my top film to win something, hence my pick.

SOUND MIXING

Predicted winner: Arrival

Preferred winner: Arrival

Since Arrival is unlikely to win anything else, I can see it picking up both Sound awards. And I want it to, so there.

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VISUAL EFFECTS

Predicted winner: The Jungle Book

Preferred winner: Doctor Strange

After winning the BAFTA as well as an Annie Award and the Awards Circuit Community Award (as well as others), The Jungle Book looks set to pick up the Oscar as well. Much as the animals and landscapes impressed me in The Jungle Book though, the inventiveness and outright trippiness of the visual effects in Doctor Strange had me (sorry) spellbound, and it gets my vote for most impressive visual effects of last year.

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ANIMATED FEATURE FILM

  • Kubo and the Two Strings
  • Moana
  • My Life as a Zucchini
  • The Red Turtle
  • Zootopia

Predicted winner: Kubo and the Two Strings

Preferred winner: Zootopia

Kubo and the Two Strings has done very well at previous award ceremonies such as BAFTA and multiple Critics associations, but Zootopia/Zootropolis was one of my favourites of last year, so it gets my vote. It did win the Golden Globe, so maybe Disney’s delightful comedy about prejudice and tolerance might just strike a chord with the Academy members, in this time of strife and division.

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FOREIGN LANGUAGE FILM

  • Land of Mine, Denmark
  • A Man Called Ove, Sweden
  • The Salesman,Iran
  • Tanna, Australia
  • Toni Erdmann, Germany

Predicted winner: The Salesman, Iran

Preferred winner: The Salesman, Iran

The director of The Salesman, Asqhar Farhadi, has stated that he will not attend the Oscar ceremony in protest of President Trump’s policies. Whether Farhadi attends or not, as an act of defiance I hope that the Academy rewards the film, and I would too.

DOCUMENTARY (FEATURE)

  • Fire at Sea
  • I Am Not Your Negro
  • Life, Animated
  • OJ: Made In America
  • 13th

Predicted winner: 13th

Preferred winner: Life, Animated

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DOCUMENTARY (SHORT SUBJECT)

  • Extremis
  • 1 Miles
  • Joe’s Violin
  • Watani: My Homeland
  • The White Helmets

SHORT FILM (ANIMATED)

  • Blind Vaysha
  • Borrowed Time
  • Pear Cider and Cigarettes
  • Pearl
  • Piper

SHORT FILM (LIVE ACTION)

  • Ennemis Interieurs
  • La Femme Et Le TGV
  • Silent Nights
  • Sing
  • Timecode

Pass – I know nothing about these films.

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Top Ten Directors – Part Four I

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Regulars at this blog (if there are any) may recall that some years ago I started posting about my favourite film directors. I posted about three of them – Steven Spielberg, James Cameron and Christopher Nolan – and then I got caught up in reviewing every new release I saw. But I thought it time to get back to my top ten, with the caveat that to credit the director as being solely responsible for any film is to utterly misunderstand the filmmaking process. So here we go…

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For me, Michael Mann is probably the single most important filmmaker I have ever encountered. It was in early 1996 that I first saw Heat (1996), a film that had a profound effect on me and set me on the course of becoming a film scholar and critic. I had seen The Last of the Mohicans (1992) beforehand, but Heat was my major introduction to Mann’s work. Subsequently I sought out The Last of the Mohicans again and made sure to see The Insider (1999) when it came out. Then I gathered the video tapes (and later DVDs) of Thief (1981), Manhunter (1986), The Keep (1983), The Jericho Mile (1979)and L. A. Takedown (1989). When Ali (2001) came out I made the effort to see it, by which time I had decided that I would do a PhD in film studies focused on Michael Mann (as you do). Collateral (2004) and Miami Vice (2006) were released while I was researching my doctorate, and in the week of my graduation, Public Enemies (2009) came to British cinemas, before very briefly in 2015, Blackhat. I saw them all, think about them at length, and have written and published at least something about all of them.

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Due to my research, I have a very particular view of Mann that may not communicate well to others, but here goes. Mann is a holistic filmmaker whose work demonstrates precise interaction of the various cinematic elements. Working as writer and director on most of his films, Mann has spoken in interviews of the ‘harmonics’ in his work, and indeed the various elements are harmonised to an extraordinary degree. Script, performance, cinematography, production design, editing, sound, music – all resonate in a very specific and distinct way across Mann’s oeuvre. These harmonics are what create the relentlessly lyrical movement in The Last of the Mohicans, the sleek and almost ephemeral stream of Collateral, Miami Vice and Blackhat as well as the distorted mental and physical worlds of Manhunter, the state and industrial containments in The Jericho Mile and Thief, the confusing disjointedness of Ali and Public Enemies and the expressionism of The Keep.

Manhunter

From within this extraordinary oeuvre, what really stands out as Mann’s best film, and what is the best introduction to his work? All will be revealed in my next post

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88th Annual Academy Award Predictions

Oscar-2016-Nominations

 

It’s been a road of some indeterminate length, and I’ve given my views on some of the categories. But at long(ish) last, here are my picks for the 88th Annual Academy Awards. As before, these are both what I believe will win, and what I would vote for were I a member of the Academy of Motion Picture Arts and Sciences (which is not the same as “should win” – I’m not that arrogant).

Disclaimer: I may change some of these after I see Brooklyn. Also, I am changing my Supporting Actress prediction, so don’t bother pointing it out.

Picture

The Big Short

Bridge of Spies

Brooklyn

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight

Predicted winner – The Revenant

My preference – Room

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Director

Lenny Abrahamson – Room

Alejandro G. Iñárritu – The Revenant

Tom McCarthy – Spotlight

Adam McKay – The Big Short

George Miller – Mad Max: Fury Road

Predicted winner – Alejandro G. Iñárritu – The Revenant

My preference – Lenny Abrahamson – Room

Actor 

Bryan Cranston – Trumbo

Matt Damon – The Martian

Leonardo DiCaprio – The Revenant

Michael Fassbender – Steve Jobs

Eddie Redmayne – The Danish Girl

Predicted winner – Leonardo DiCaprio – The Revenant

My preference – Michael Fassbender – Steve Jobs

 

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Actress 

Cate Blanchett – Carol

Brie Larson – Room

Jennifer Lawrence – Joy

Charlotte Rampling – 45 Years

Saoirse Ronan – Brooklyn

Predicted winner – Brie Larson – Room

My preference – Brie Larson – Room

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Supporting Actor

Christian Bale – The Big Short

Tom Hardy – The Revenant

Mark Ruffalo – Spotlight

Mark Rylance – Bridge of Spies

Sylvester Stallone – Creed

Predicted winner – Mark Rylance – Bridge of Spies

My preference – Mark Ruffalo – Spotlight

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Supporting Actress

Jennifer Jason Leigh – The Hateful Eight

Rooney Mara – Carol

Rachel McAdams – Spotlight

Alicia Vikander – The Danish Girl 

Kate Winslet – Steve Jobs

Predicted winner – Alicia Vikander – The Danish Girl 

My preference – Kate Winslet – Steve Jobs

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Adapted Screenplay

The Big Short

Brooklyn

Carol

The Martian

Room 

Predicted winner – The Big Short

My preference – Room

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Original Screenplay

Bridge of Spies

Ex Machina

Inside Out

Spotlight

Straight Outta Compton

Predicted winner – Spotlight

My preference – Spotlight

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Cinematography

Carol

The Hateful Eight

Mad Max: Fury Road

The Revenant

Sicario

Predicted winner – The Revenant

My preference – Sicario

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Costume Design

Carol

Cinderella

The Danish Girl

Mad Max: Fury Road

The Revenant

Predicted winner – Mad Max: Fury Road

My preference – Cinderella

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Editing 

The Big Short

Mad Max: Fury Road

The Revenant

Spotlight

Star Wars: The Force Awakens

Predicted winner – Mad Max: Fury Road

My preference – Spotlight

 

Make-Up and Hair

Mad Max: Fury Road

The 100-Year-Old Man Who Climbed Out the Window and Disappeared

The Revenant

Predicted winner – The Revenant

My preference – The Revenant

 

Score

Bridge of Spies

Carol

The Hateful Eight

Sicario

Star Wars: The Force Awakens

Predicted winner – The Hateful Eight

My preference – Carol

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Original Song

Earned It, The Weeknd – Fifty Shades of Grey

Manta Ray, J Ralph & Antony – Racing Extinction

Simple Song #3, Sumi Jo – Youth

Til It Happens To You, Lady Gaga – The Hunting Ground

Writing’s On the Wall, Sam Smith – Spectre

Predicted winner – Til It Happens To You, Lady Gaga – The Hunting Ground

My preference – Writing’s On the Wall, Sam Smith – Spectre

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Production Design

Bridge of Spies

The Danish Girl

Mad Max: Fury Road

The Martian

The Revenant

Predicted winner – The Revenant

My preference – The Revenant

 

Sound Editing

Mad Max: Fury Road

The Martian

The Revenant

Sicario

Star Wars: The Force Awakens

Predicted winner – Mad Max: Fury Road

My preference – Sicario

 

Sound Mixing

Bridge of Spies

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens

Predicted winner – The Revenant

My preference – Mad Max: Fury Road

 

Visual Effects

Ex Machina

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens

Predicted winner – Star Wars: The Force Awakens

My preference – Ex Machina

TFA

Animated Film

Anomalisa

Boy and the World

Inside Out

Shaun the Sheep Movie

When Marnie Was There

Predicted winner – Inside Out

My preference – Inside Out

Inside Out

 

 

 

 

 

 

 

Foreign Language Film

Embrace of the Serpent – Colombia

Mustang – France

Son of Saul – Hungary

Theeb – Jordan

A War – Denmark

Predicted winner – Theeb (complete guess and as I have not seen any, I have no preference.)

 

Documentary Feature

Amy

Cartel Land

The Look of Silence

What Happened, Miss Simone?

Winter on Fire: Ukraine’s Fight for Freedom

Predicted winner – The Look of Silence (complete guess and as I have not seen any, I have no preference.)

 

Animated and Live Action Shorts – I have no knowledge of these so no predictions or preferences.

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Predictions and Preferences: Perspective on Oscar Nominations Part Three

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The sharp-eyed among you, and possibly the impatient, may have noticed that my previous posts on the Oscars neglected to give any verdict on the actual nominees for this year’s Academy Awards. Now that I’ve actually seen more of them, that will be rectified, just in time too. What I am NOT going to do, however, is declare that I know better than the Academy of Motion Picture Arts and Sciences and that they should obviously have nominated Pride over American Sniper, or that Michael Keaton should win because he is clearly so much better than Eddie Redmayne, and that if Julianne Moore doesn’t win it will be a travesty, etc. I hate it when individuals insist that their own singular opinions are more valid than the democratically voted Academy nominees and winners. You may disagree with the results of these votes, but that does not make you right, better or superior. I therefore offer my prediction of what I believe will win and what I would vote for if I were a member of AMPAS. If I have not seen enough of the nominees, I offer no opinion.

Picture

best-pic_3166072kAmerican Sniper

Birdman

Boyhood

The Grand Budapest Hotel

The Imitation Game

Selma

The Theory of Everything

Whiplash

Based purely on content, the films most likely to win Best Picture are The Imitation Game and The Theory of Everything. The former is a true story about an important figure of the twentieth century, largely set during World War II. The latter is a true story about an important figure of the twentieth century who overcame great adversity. The adversity is significant here – The Theory of Everything presents Stephen Hawking’s story as one of triumph and the power of love, whereas The Imitation Game balances triumph with tragedy, as Alan Turing may have cracked the Enigma Code but submitted to chemical castration before committing suicide (according to the film). It is a sad fact that the Academy’s conservatism is likely to block The Imitation Game from Best Picture, as it is a film focused upon a homosexual. While such films have previously been nominated, such as Brokeback Mountain, Capote (both 2005) and The Kids are All Right (2010), they are yet to win Best Picture.

American Sniper shares elements with 2009’s Best Picture winner The Hurt Locker with its attention to the minutiae of combat, and has the added bonus of being a true story. Selma is also a true story, about major events in American history and one of the most significant activists of the 20th century. Both these films have generated controversy, American Sniper for its (according to some) pro-war presentation of the Iraq conflict and Selma for the Academy’s failure to nominate Ava DuVernay for Best Director or David Oyelowo for Best Actor. The Academy rarely rewards controversial films, and it is a sad truth that “black” films are also seldom rewarded, 12 Years A Slave being the first “black film” to win Best Picture.

Of the fictional tales, The Grand Budapest Hotel is a long shot as comedies very rarely win; Whiplash speaks to an artistic sensibility that chimes with the Academy’s love for triumphing over adversity. The admiration for Richard Linklater’s twelve-year labour of love has continued since the Golden Globes and shows no signs of abating. While I was more impressed by Birdman’s visually thrilling attack on contemporary culture, I predict that the Academy will go for the American charm that Boyhood valorises.

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Predicted winner: Boyhood

Preferred winner: Birdman

Director

Wes Anderson, The Grand Budapest Hotel

Alejandro González Iñárritu, Birdman

Richard Linklater, Boyhood

Bennett Miller, Foxcatcher

Morten Tyldum, The Imitation Game

Richard Linklater’s extraordinary commitment to Boyhood’s twelve-year production is reason enough for the Academy to reward him. Furthermore, he is a well-established and respected figure in Hollywood (and apparently Ethan Hawke’s best mate) whose films have captivated many over the years. It seems to be his time. However, Alejandro González Iñárritu picked up the Directors’ Guild of America award, which is frequently followed by the Oscar, so it is a very close race. I preferred Iñárritu’s swift, relentless and visceral direction of Birdman, which is a sharp contrast to Linklater’s more fluid, blink-and-you’ll-miss-that-we’ve-jumped-forward-three-years approach. I still think Linklater will win, but I would be over the moon if this award went to Iñárritu.

richard.linklater.inside

Predicted winner: Richard Linklater, Boyhood

Preferred winner: Alejandro González Iñárritu, Birdman

Actor

Steve Carell, Foxcatcher

Bradley Cooper, American Sniper

Benedict Cumberbatch, The Imitation Game

Michael Keaton, Birdman

Eddie Redmayne, The Theory of Everything

Physical transformation and playing a historical figure are what the Academy love, and Eddie Redmayne has already picked up multiple awards. While the Academy also loves a comeback like that of Michael Keaton, such performances don’t always win (see John Travolta for Pulp Fiction and Mickey Rourke for The Wrestler). I would love Keaton to win, not least because he is never likely to do a better performance, but I think it unlikely.

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Predicted winner: Eddie Redmayne

Preferred winner: Michael Keaton

Actress

Marion Cotillard, Two Days, One Night

Felicity Jones, The Theory of Everything

Julianne Moore, Still Alice

Rosamund Pike, Gone Girl

Reese Witherspoon, Wild

I have only seen two of these nominees, Rosamund Pike and Felicity Jones. I enjoyed both films and consider Jones to be the best thing in The Theory of Everything, but of the two I would pick Pike. However, it looks like this will be the year of five-time nominee Julianne Moore. I wish her well, and look forward to seeing Still Alice.

NExfzWhlijhrAB_1_bPredicted winner: Julianne Moore

Supporting Actor

Robert Duvall, The Judge

Ethan Hawke, Boyhood

Edward Norton, Birdman

Mark Ruffalo, Foxcatcher

J. K. Simmons, Whiplash

Aside from Robert Duvall, I have seen all of these and they are a great bunch (film fans in search of great acting should check out Best Supporting Actor nominees). J K. Simmons has picked up all the awards so far, and will almost certainly pick up the Oscar too. While I was less than enamoured with Whiplash as a whole, I have no problem with his performance.

Whiplash-Jk-Simmons-14Predicted and preferred winner: J. K. Simmons

Supporting Actress

Patricia Arquette, Boyhood

Laura Dern, Wild

Keira Knightley, The Imitation Game

Emma Stone, Birdman

Meryl Streep, Into the Woods

I was impressed by Patricia Arquette, Keira Knightley and Emma Stone, and am somewhat bemused that Meryl Streep has yet another nomination to add to her collection (I have seen neither Into the Woods nor Wild). As Arquette has won everything so far, there is no reason to suspect she will not continue. And I pick her too, not least because she reminds me of my own mother.

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Predicted and preferred winner: Patricia Arquette

Best Original Screenplay

Birdman

Boyhood

Foxcatcher

The Grand Budapest Hotel

Nightcrawler

I’ve seen all of these other than Nightcrawler, and with Writers Guild Awards as well as a BAFTA, the witty and wacky script of The Grand Budapest Hotel is a safe bet. But as in the Best Picture category, I prefer the scathing, mad energy of Birdman.

the-grand-budapest-hotel-ralph-fiennes

Predicted winner: The Grand Budapest Hotel

Preferred winner: Birdman

Best Adapted Screenplay

American Sniper

The Imitation Game

Inherent Vice

The Theory of Everything

Whiplash

A mixed bag here, one based on a novel, three on biographies and one on a short film. The battle here is between the Writers’ Guild Award winner The Imitation Game and the BAFTA-winning The Theory of Everything. I like both films and it could go either way, but on the night I believe the Academy will follow the practice of the guild. I’m OK with that.

THE IMITATION GAMEPredicted and preferred winner: The Imitation Game

Animated Feature Film

Big Hero 6

The Boxtrolls

How to Train Your Dragon 2

Song of the Sea

The Tale of the Princess Kaguya

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Predicted winner: How to Train Your Dragon 2 (the only nominee I’ve seen as well)

Foreign Language Film

Ida

Leviathan

Tangerines

Timbuktu

Wild Tales

Predicted winner: Leviathan (complete guess)

Documentary, Feature

Citizenfour

Finding Vivian Maier

Last Days in Vietnam

The Salt of the Earth

Virunga

What will win: Virunga (not seen any, so a complete guess)

Original Score

The Grand Budapest Hotel

The Imitation Game

Interstellar

Mr. Turner

The Theory of Everything

I’ve seen all of these but confess I barely remember the scores from all but one, and as a huge fan of Hans Zimmer in general and his score for Interstellar especially, I would like him to win. But Alexandre Desplat is receiving his seventh and eighth nominations simultaneously, and I think it is his time. For which film? Since Desplat picked up the BAFTA for The Grand Budapest Hotel, this seems likely. But then again, Jóhann Jóhannsson won the Golden Globe for his score for The Theory of Everything, so this race has a far from obvious winner.

The-Grand-Budapest-Hotel-UK-Quad-Poster

Predicted winner: The Grand Budapest Hotel

Preferred winner: Interstellar

Film Editing

American Sniper

Boyhood

The Grand Budapest Hotel

The Imitation Game

Whiplash

There’s a simple reason Birdman will not win Best Picture, which is that it is not nominated for Editing. Historically speaking, Editing and Picture frequently go together, at least in terms of nominations. If Best Director and Original Screenplay were certain to go to Boyhood, I would predict differently. But as Birdman could pick up Director and The Grand Budapest Hotel is more likely for Screenplay, as a Best Picture winner Boyhood will also pick up Editing. That said, I found the more intricate cutting of The Imitation Game to be more involving and absorbing.

Predicted winner: Boyhood

Preferred winner: The Imitation Game

Visual Effects

Captain America: The Winter Soldier

Dawn of the Planet of the Apes

Guardians of the Galaxy

Interstellar

X-Men: Days of Future Past

What could be known as the blockbuster award, this is the one bone that is regularly thrown to the box office champions, where artists and technicians make wildly popular cinematic marvels, for films that are consistently ignored for other awards. I imagine Interstellar’s spacescapes will be rewarded here, but personally I was even more taken by the extraordinary performance capture and digital rendering of ape armies.

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Predicted winner: Interstellar

Preferred winner: Dawn of the Planet of the Apes

Sound Editing

American Sniper

Birdman

The Hobbit: The Battle of the Five Armies

Interstellar

Unbroken

War films typically make great use of sound, and American Sniper is no exception. But the brilliant interchanges of sound and silence in Interstellar might just snag it, if I have my way.

Predicted winner: American Sniper

Preferred winner: Interstellar

Sound Mixing

American Sniper

Birdman

Interstellar

Unbroken

Whiplash

Again, I was captivated by the sound of Interstellar, but I cannot help but be impressed by Whiplash’s soundscape of music, voices and more indistinct noises.

Predicted winner: Whiplash

Preferred winner: Interstellar

Production Design

The Grand Budapest Hotel

The Imitation Game

Interstellar

Into the Woods

Mr. Turner

The Grand Budapest Hotel is an exquisitely designed film and it seems unlikely that the Academy members will ignore this.

Predicted and preferred winner: The Grand Budapest Hotel

Cinematography

Birdman

The Grand Budapest Hotel

Ida

Mr. Turner

Unbroken

An astonishing level of artistic and technical brilliance is performed by Emmanuel Lubezki in Birdman, making this award a sure thing.

birdman-still-bafta-nominations-michaelkeaton-edwardnortonPredicted and preferred winner: Birdman

Makeup and Hairstyling

Foxcatcher

The Grand Budapest Hotel

Guardians of the Galaxy

The makeup and hairstyling of The Grand Budapest Hotel is a work of art in itself, and is exactly the type of work that tends to win this award.

Predicted and preferred winner: The Grand Budapest Hotel

Costume Design

The Grand Budapest Hotel

Inherent Vice

Into the Woods

Maleficent

Mr. Turner

Much the same as Makeup and Hairstyling.

Predicted and preferred winner: The Grand Budapest Hotel

 

In the other categories, I do not know enough to guess.

Documentary – Short Subject

Crisis Hotline: Veterans Press 1

Joanna

Our Curse

The Reaper (La Parka)

White Earth

No idea.

Live Action Short Film

Aya

Boogaloo and Graham

Butter Lamp (La Lampe au beurre de yak)

Parvaneh

The Phone Call

No idea.

Animated Short Film

The Bigger Picture

The Dam Keeper

Feast

Me and My Moulton

A Single Life

No idea.

Original Song

“Everything Is Awesome” from The Lego Movie

“Glory” from Selma

“Grateful” from Beyond the Lights

“I’m Not Gonna Miss You” from Glen Campbell: I’ll Be Me

“Lost Stars” from Begin Again

No idea.

Check back soon for my reactions to the winners and the show as a whole! I predict it will be legen – wait for it – DARY!

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