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The Equalizer was a pleasant surprise in 2014. An exploitation film that made a virtue of the simplicity of an ex-special forces soldier in Robert McCall (Denzel Washington) becoming a DIY avenger. The attention to social detail, especially in respect to race and class, constructed an interesting site of resistance. In addition, the genuinely nasty violence showed a commitment to the brutality of the depicted organised crime and the potential of a hardware store, while star Washington elevated the material to something more engaging than it might have been otherwise. Sadly, 2018’s sequel fails to deliver on almost all these aspects. Foregoing the stripped down simplicity of the original, EQ2 suffers from an overly elaborate plot, or rather plots that lack connective tissue. Character relationships muddy the waters rather than adding dramatic weight, whether they involve McCall’s mentee Miles Whittaker (Ashton Sanders), former comrade Dave York (Pedro Pascal) or Holocaust survivor Sam Rubenstein (Orson Bean). These sub-plots are frustratingly peripheral, screenwriter Richard Wenk failing to link together McCall’s central pursuit with the different lives he touches. Director Antoine Fuqua brings little stylistic flair to the proceedings, except in one bravura sequence that reminds the viewer of the importance of seatbelts. Meanwhile, a steadily approaching hurricane fails to increase tension, and much of the violence is obscured which makes the film appear neutered. The end result feels turgid and sluggish, and makes the viewer wish for something more efficient. Only Washington emerges unscathed, his charisma and star power lending the work some dignity. But great actors do not always equal great films, and The Equalizer 2 is a prime example of how much more is needed to equalize the quality of other fare.